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All Blog Posts:

• Why Ireland Is Thriving as a Film Hub
• Cillian Murphy Thanks “Visionary Director” Christopher Nolan In His First Golden Globe Win For ‘Oppenheimer’
• Irish-produced Poor Things smashes Oscar nods record with 11 nominations
• Dublin International Film Festival announces 2024 programme
• Kneecap win award with first Irish language film ever to premiere at Sundance Film Festival
• Where to Watch 2023: the Irish films and TV released this year
• Spilt Milk wraps Principal Photography in Dublin
• Irish dramas Obituary and Hidden Assets lead RTÉ Autumn line-up
• Producer Claire McCabe and actor Rory Fleck-Byrne selected for 2023 UK & Ireland Stars of Tomorrow
• Don’t miss Screen Ireland supported documentaries screening at Docs Ireland this week
• 
  Second series of BAFTA-nominated comedy drama the Dry has been commissioned
• Lights, Camera, Action! Introducing Virgin Media Television, RTÉ and Institute of Art, Design + Technology’s brand new Creative Futures Academy course
• Irish Co-Production The Miracle Club to Premiere at 2023 Tribeca Film Festival
• Season 2 of The Tourist starts production in Ireland
• Peter and the Wolf animated short film by Bono and Gavin Friday greenlit by Max & Cartoon Network
• Ireland To Host AFCI’s 46th Annual Cineposium Conference
• SDGI Press Release: SDGI Launch New Documentary Training Programme, Exploring Reality
• Minister Martin embarks on US trade mission to boost investment in Ireland’s film industry, tourism and culture
• IFTA nominations announced in Dublin
• ‘Ciarán Hinds was amazing to work with’: Belfast star Roísín Gallagher on new RTE One series The Dry
• Screen Crew & Services Database: New Industry Directory Now Open for Registrations
• Claire Dix’s first fiction feature, Sunlight, to premiere at Glasgow before hitting British and Irish cinemas
• Ireland film and TV production spend tops €361m in 2022
• Paul Mescal drama to open Dublin International Film Festival
• Oscar nominations 2023: Paul Mescal, Colin Farrell and Kerry Condon among Irish Oscar nominees
• Oscar nominations 2023: Donald Clarke on an astonishing, record-shattering year for Irish film
• How ‘The Quiet Girl’ (‘An Cailín Ciúin’) became the highest-grossing Irish-language film of all time
• Yorgos Lanthimos and Emma Stone reunite for Poor Things
• Tourism Ireland opens applications for International Programming Ireland Fund 2023
• An Cailín Ciúin becomes first Irish language feature shortlisted for Oscars’ Best International Feature Film
• SAG Awards 2023: Banshees and Everything, Everywhere join SAG history books with five nominations each
• Colm Bairéad’s Oscar contender An Cailín Ciúin longlisted for three BAFTAs
• Golden Globes 2023: Colin Farrell and Martin McDonagh pick up awards for The Banshees of Inisherin
• Where to Watch: Discover Irish film, television and animation, wherever you are
• Budget 2023: Fís Éireann/Screen Ireland Welcomes Continued Support for Screen Industry as Budget Increased by €1 Million
• Emerging Irish Producer Wins Netflix & European Producers Club Pitch Contest at Venice Film Festival 
• Graham Norton’s Holding, The Vanishing Triangle, and Faithless lead Virgin Media’s Autumn Schedule
• Irish documentary Pure Grit to be released in cinema on October 7th
• Family film screenings coming to Meeting House Square
• Fundamental Skills for Locations Trainees
• World-class film studio to be constructed in Mullingar
• Several new Funding Schemes announced by TG4, in association with Screen Ireland and Northern Ireland Screen
• Animation Ireland leads Irish Kidscreen delegation to Miami for world’s largest animation event
• Barry Keoghan and Brian Gleeson join cast of Top Boy; production begins on season 3
• First Look at Season 2 of Screen Ireland supported crime drama Kin
• 69th Edition of Sydney Film Festival to Celebrate Four Irish Films
• Irish at Cannes
• Greystones Media Campus due to open in 2024
• IFI Festival 2022
• Element Pictures comedy drama The Dry to debut on BritBox UK in May
• New teaser released for Sally Rooney series Conversations With Friends for BBC Three and Hulu
• Director Brian O’Malley discusses new AMC+ series That Dirty Black Bag
• Galway Film Centre rebrands to Ardán with new vision to grow the screen Industry in the West of Ireland
• Irish filmmaker Mark O’Connor teams up with Movie Coin to finance next film through crypto currency
• Irish nominated at 2022 BAFTA Television Awards
• Kenneth Branagh picks up first Oscar as Belfast wins Best original Screenplay at 94th Academy Awards
• Judges revealed for 2022 Virgin Media Discovers Short Film Competition
• Line-Up announced for IFI and VMDIFF’s 5th annual Careers in Screen Day
• Adam McKay receives Volta Award as VMDIFF opens with gala screening of An Cailín Ciúin
• IFTA 2022: Belfast, Kin, and An Cailín Ciúin lead nominations for virtual Awards
• Oscars 2022: Jessie Buckley, Ciaran Hinds nominated; Kenneth Branagh makes history ahead of 94th Academy Awards
• Irish crime drama Kin renewed for second series by RTÉ
• Virgin Media Dublin International Film Festival returns to the big screen as 2022 programme announced
• Online Consultation for pilot Basic Income for the Arts launched by Minister Martin
• Traffic News in Dublin
• Ruth Negga and Caitríona Balfe nominated for Supporting Female Actor at 28th Screen Actors Guild Awards
• ‘Ireland on the Box’, a free exhibition of photographs celebrating 60 years of RTÉ television, is the current exhibition at the National Photographic Archive.
• Screen Ireland-supported Irish comedies Deadly Cuts and Redemption of a Rogue hit Netflix in Ireland and the UK this week
• Netflix’s Anne Mensah To Speak at the FÍS TV Summit 2022
• Sinead O’Connor documentary Nothing Compares selected for World Premiere at Sundance Film Festival
• VR & Virtual Production Training Programme
• Virgin Media Dublin International Film Festival
• Dublin Film Festival’s Gráinne Humphreys: “I always said moving online was an opportunity”
• Steve McQueen joins line-up for online Virgin Media Dublin International Film Festival
• Rachel Carey’s ‘Deadly Cuts’ secures UK-Ireland deal; will close Dublin film festival